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Aerosmith ~ No More No More


Blood stains the ivorys
Of my daddys babygrand
I aint' seen no daylight
Since we started this band
No more, no more
No more, no more

Store bought clothes
Fallin' appart at the seams
Tea leaf readin' gypsies
Fortune tellin' my dreams

No more, no more
No more, no more

Holiday inns, lock the door with a chain
You love it than you hate it
But to me they're all the same

No more, no more
No more, no more

Baby i'm a dreamer
Found my horse and carriage

Stalemate jailbate
Ladies can't refuse
You love 'em then you leave 'em
With your sold out reviews

No more, no more
No more, no more

Sweet talkin' barroom, ladies disease
Slippin' with her lips
Slidin' down your knees

No more, no more
No more, no more

Me and my life a screamer
Bound to a wife and marriage
Baby, i'm a dreamer
Found my horse and carriage

Ladies hold the aces
And their lovers call it passion
The men call it pleasure
But to me it's old fashioned

Times they are a-changin
Nothin' ever stands still
If i don't stop a-changin
I'll be writtin' out my will

It's the same old story
Never get a second chance
For a dance to the top of the hill

Baby i'm a dreamer
Found my horse and carriage


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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