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Bile ~ Betty Page


She's out slummin' for another fix, down on her knees giving last licks. She's got senior rights, don't show her age, her hair's blacker than BETTY PAGE. Rubber skin so sharp it cuts, she's the rubber lover to all the sluts. Glory holes in sleazy walls, R.H.Bear cruises mens' room stalls. She's got the love, she's got the rage, a digital bitch you can't upstage. Bound and shagged inside her cage, her hair's blacker than BETTY PAGE. She loves to love the love you hold, she does it hot but oh so cold. Puss-bone white, super tight, she's triple-X by candlelight. WEEDA- WEEDA- WADDA- HOODA- HOODA- HA, don't need no lube she likes it raw. Hands tied down leave you alone, she's seen more rods than the twilight zone. She's got the love, she's got the rage, a digital bitch you cant upstage. Bound and shagged inside her cage, her hair's blacker than BETTY PAGE. She's the snake with the poison apple, she licks down your blood sample. Something in the way she grinds her hips and ooohh, check out those tits. Take out the whips, open the crypts, ROCKY HORROR has your lips. A digital bitch you cant upstage, her hair's blacker than BETTY PAGE. She loves the meat, she loves the truck, take her hot pants off and fuck, fuck, fuck. She's a high priced hooker with devil tattoos, and a clean shaved fox, cooh cooh cooh ka joo. Sit at home you're the masturbater, she gets off when you hate her. TORI AMOS with bad vodka, she wants blood and you cant stop her. She's got the love, she's got the rage, a digital bitch you cant upstage. Bound and shagged inside her cage, her hair's blacker than BETTY PAGE. BLACK SHEEP, GOD. BLACK SHEEP, GOD. BLACK SHEEP, GOD. BLACK SHEEP, GOD. more free lyrics

She's out slummin' for another fix, down on her knees giving last licks. She's got senior rights, don't show her age, her hair's
blacker than BETTY PAGE. Rubber skin so sharp it cuts, she's the rubber lover to all the sluts. Glory holes in sleazy walls, R.H.Bear
cruises mens' room stalls. She's got the love, she's got the rage, a digital bitch you can't upstage. Bound and shagged inside her
cage, her hair's blacker than BETTY PAGE. She loves to love the love you hold, she does it hot but oh so cold. Puss-bone white,
super tight, she's triple-X by candlelight. WEEDA- WEEDA- WADDA- HOODA- HOODA- HA, don't need no lube she likes it raw.
Hands tied down leave you alone, she's seen more rods than the twilight zone. She's got the love, she's got the rage, a digital bitch
you cant upstage. Bound and shagged inside her cage, her hair's blacker than BETTY PAGE. She's the snake with the poison apple,
she licks down your blood sample. Something in the way she grinds her hips and ooohh, check out those tits. Take out the whips,
open the crypts, ROCKY HORROR has your lips. A digital bitch you cant upstage, her hair's blacker than BETTY PAGE. She loves
the meat, she loves the truck, take her hot pants off and fuck, fuck, fuck. She's a high priced hooker with devil tattoos, and a clean
shaved fox, cooh cooh cooh ka joo. Sit at home you're the masturbater, she gets off when you hate her. TORI AMOS with bad
vodka, she wants blood and you cant stop her. She's got the love, she's got the rage, a digital bitch you cant upstage. Bound and
shagged inside her cage, her hair's blacker than BETTY PAGE. BLACK SHEEP, GOD. BLACK SHEEP, GOD. BLACK SHEEP, GOD.
BLACK SHEEP, GOD.

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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