Free Lyrics 2026

Chevelle ~ Mia


(lyrics by pete loeffler) (music by chevelle) Watch me heap up what i've sown I'm made of peanuts, not of shells God spares a quality of himself Uniquely designed but we can't help ourselves So ¨c why, i made the face that bugs you I won't design conversation around you I made the face that bugs you Spyglass scans the field Hold my hand, feel a chill in here Tired of looking through you I've found myself can you find you So ¨c why i've made the face that bugs you I won't design Spyglass scanned the field Hold my hand, still feel a chill in here Tired of looking through you I've found myself can you find you So ¨c why, did i make the face And i won't design I made the face I won't design more free lyrics

(lyrics by pete loeffler)
(music by chevelle)

Watch me heap up what i've sown
I'm made of peanuts, not of shells
God spares a quality of himself
Uniquely designed but we can't help ourselves
So ¨c why, i made the face that bugs you
I won't design conversation around you
I made the face that bugs you
Spyglass scans the field
Hold my hand, feel a chill in here
Tired of looking through you
I've found myself can you find you
So ¨c why i've made the face that bugs you
I won't design
Spyglass scanned the field
Hold my hand, still feel a chill in here
Tired of looking through you
I've found myself can you find you
So ¨c why, did i make the face
And i won't design
I made the face
I won't design

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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