Free Lyrics 2026

Chris Isaak ~ 5:15


Oh-h-h-h 5:15 is just a train 5:24 it leaves the station again Tell me why Did she go 5:15 is just a line Big mac train took the girl of mine Tell me where does she go Tell me where does she go What big dreams we had Now i watch those dreams all fade and die What big plans we had Now i watch those trains go rolling by Rolling by Rolling by I'm watching the trains The trains O-u-u-u 5:15 is just a train 5:24 it leaves the station again Tell me why did she go Tell me why did she go I'm watching the trains The trains The trains The trains The trains The trains the trains the trains....... Ou-u-u-u more free lyrics

Oh-h-h-h
5:15 is just a train
5:24 it leaves the station again
Tell me why
Did she go

5:15 is just a line
Big mac train took the girl of mine
Tell me where does she go
Tell me where does she go

What big dreams we had
Now i watch those dreams all fade and die
What big plans we had
Now i watch those trains go rolling by
Rolling by
Rolling by
I'm watching the trains
The trains

O-u-u-u

5:15 is just a train
5:24 it leaves the station again
Tell me why did she go
Tell me why did she go
I'm watching the trains
The trains
The trains
The trains
The trains
The trains the trains the trains.......

Ou-u-u-u

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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